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Katarina
Bradic

mezzo-soprano

Katarina Bradić studied singing at the Vienna Conservatory. She first came to international attention in the 2009/2010 season as a member of the ensemble of the Vlaamse Opera, where her roles included Olga in Tchaikovsky’s Eugene Onegin, Suzuki in Puccini’s Madama Butterfly and Medea in Cavalli’s Giasone. Subsequently she joined the ensemble of the Deutsche Oper Berlin.

In just a few years the Serbian mezzo-soprano has established herself as one of the most requested singers of the Baroque repertoire and of her signature role Carmen (in Bizet’s Carmen). She has collaborated with such conductors as René Jacobs, Semyon Bychkov, Sylvain Cambreling, and Andrea Marcon.

Katarina Bradić recently made her acclaimed debuts at the Staatsoper Berlin (as Lavinia in Steffani’s Amor vien dal destino), and Glyndebourne Festival Opera (as Ursule in Béatrice et Bénédict by Berlioz). Other career highlights include the title role of Britten’s The Rape of Lucretia for Deutsche Oper Berlin, and the title role of Carmen at Den Norske Opera of Oslo.

Katarina Bradić appears with the Concertgebouworkest for the first time in the 2019/20 season.

Katarina Bradić studied singing at the Vienna Conservatory. She first came to international attention in the 2009/2010 season as a member of the ensemble of the Vlaamse Opera, where her roles included Olga in Tchaikovsky’s Eugene Onegin, Suzuki in Puccini’s Madama Butterfly and Medea in Cavalli’s Giasone. Subsequently she joined the ensemble of the Deutsche Oper Berlin.

In just a few years the Serbian mezzo-soprano has established herself as one of the most requested singers of the Baroque repertoire and of her signature role Carmen (in Bizet’s Carmen). She has collaborated with such conductors as René Jacobs, Semyon Bychkov, Sylvain Cambreling, and Andrea Marcon.

Katarina Bradić recently made her acclaimed debuts at the Staatsoper Berlin (as Lavinia in Steffani’s Amor vien dal destino), and Glyndebourne Festival Opera (as Ursule in Béatrice et Bénédict by Berlioz). Other career highlights include the title role of Britten’s The Rape of Lucretia for Deutsche Oper Berlin, and the title role of Carmen at Den Norske Opera of Oslo.

Katarina Bradić appears with the Concertgebouworkest for the first time in the 2019/20 season.