Noseda In Depth

A close look at Dallapiccola’s Partita with soprano Lilian Farahani

Geanandrea Noseda dirigeert Concertgebouworkest image: Milagro Elstak

Gianandrea Noseda is conducting and telling us everything there is to know about Dallapiccola’s Partita. A unique listening experience with the audience on stage!

The very best way to get to know a piece of music

Concert programme

  • Luigi Dallapiccola

    Partita: introductie met orkest (fragmenten)

  • Luigi Dallapiccola

    Partita

Performers

About this concert

Plus you won’t be experiencing just another concert, but total immersion in a musical work. Conductor Gianandrea Noseda will be telling you everything you need to know about Luigi Dallapiccola’s captivating, far too infrequently performed Partita. Together with the Concertgebouw Orchestra and the Dutch-Iranian soprano Lilian Farahani, the conductor will be sharing his knowledge of Dallapiccola’s Partita with you before performing the complete work.

The Partita is a highly contrastive four-movement orchestral work. As in Mahler’s Fourth Symphony, a soprano sings in the final movement – in this case, a medieval lullaby. The Partita launched Dallapiccola’s international career, just before he converted to the twelve-tone music of Arnold Schoenberg. The work was premiered in 1933.

Dates and tickets

About this concert

Plus you won’t be experiencing just another concert, but total immersion in a musical work. Conductor Gianandrea Noseda will be telling you everything you need to know about Luigi Dallapiccola’s captivating, far too infrequently performed Partita. Together with the Concertgebouw Orchestra and the Dutch-Iranian soprano Lilian Farahani, the conductor will be sharing his knowledge of Dallapiccola’s Partita with you before performing the complete work.

The Partita is a highly contrastive four-movement orchestral work. As in Mahler’s Fourth Symphony, a soprano sings in the final movement – in this case, a medieval lullaby. The Partita launched Dallapiccola’s international career, just before he converted to the twelve-tone music of Arnold Schoenberg. The work was premiered in 1933.

A preview