Mon, Oct 3, 2022
When he passed away in 2016, Nikolaus Harnoncourt left behind a treasure trove of magnificent live-recordings of his concerts with the Concertgebouw Orchestra. This is now presented in a CD box set with no less than fifteen discs, The Radio Recordings 1981-2012.
Johann Sebastian Bach (1685-1750)
Johannes-Passion, BWV 245
AVRO, Concertgebouw Amsterdam, 15 april 1984
Felix Mendelssohn (1809-1847)
Psalm 42 'Wie der Hirsch schreit
AVRO, Concertgebouw Amsterdam, 26 april 2009
Joseph Haydn (1732-1809)
Die Schöpfung
AVRO, Concertgebouw Amsterdam, 22 oktober 2000
Wolfgang Amadeus Mozart (1759-1791)
Ch'io mi scordi te... Non temer, amato bene, KV 505
AVRO/RNW, Concertgebouw Amsterdam, 9 januari 1992
Wolfgang Amadeus Mozart
Symfonie nr. 41 'jupiter', KV 551
AVRO/RNW, Concertgebouw Amsterdam, 27 januari 1991
Wolfgang Amadeus Mozart
Pianoconcert nr. 13, KV 415/387b
AVRO/RNW, Concertgebouw Amsterdam, 18 september 1981
Ludwig Van Beethoven (1770-1827)
Missa solemnis
AVRO, Concertgebouw Amsterdam, 25 april 2012
Ludwig Van Beethoven
Symfonie nr. 1
AVRO/RNW, Concertgebouw Amsterdam, 19 maart 1998
Franz Schubert (1797-1828)
Symfonie nr. 9
AVRO/RNW, Concertgebouw Amsterdam, 11 november 1992
Franz Schubert
Symfonie nr. 8
AVRO/RNW, Concertgebouw Amsterdam, 7 november 1997
Johannes Brahms (1833-1897)
Symfonie nr. 1
AVRO/RNW, Concertgebouw Amsterdam, 24 maart 1996
Robert Schumann (1810-1856)
Overture 'Manfred'
AVRO/RNW, Concertgebouw Amsterdam, 2 mei 2004
Robert Schumann
Symfonie nr. 1
AVRO/RNW, Concertgebouw Amsterdam, 2 mei 2004
Robert Schumann
Symfonie nr. 3 'Rhenisch'
AVRO/RNW, Concertgebouw Amsterdam, 28 november 2004
Johannes Brahms
Tragische Overture
AVRO/RNW, Concertgebouw Amsterdam, 12 mei 1996
Johannes Brahms
Symfonie nr. 3
AVRO/RNW, Concertgebouw Amsterdam, 20 januari 1996
Antonín Leopold Dvořák (1841-1904)
Biblical Songs
AVRO/RNW, Concertgebouw Amsterdam, 28 november 2004
Antonín Leopold Dvořák
Symfonie nr. 7
AVRO/RNW, Concertgebouw Amsterdam, 20 maart 1998
Anton Bruckner (1824-1896)
Symfonie nr. 4 'Romantic'
AVRO/RNW, Concertgebouw Amsterdam, 3 april 1997
Johann Strauss Jr. (1825-1899)
An der schönen, blauen Donau
KRO, RAI Amsterdam, 7 juni 1984
Felix Mendelssohn
Ein Sommernachtstraum
|AVRO, Concertgebouw Amsterdam, 26 april 2009
New and extreme
In 1975 Nikolaus Harnoncourt made his debut with the Concertgebouw Orchestra with Bach’s St John Passion. From the very first there was a strong mutual love and respect. Everything the Austrian conductor did – while by now everyone has become accustomed to it – was new and extreme. He based his approach on his research into authentic music practice. This turned out to be particularly well suited to the musicians of the Concertgebouw Orchestra.
For me the Bach passions were a revelation. His views were radically different from anything we had ever heard of, but his arguments were persuasive and clearly derived from the text. The Christ recitatives are accompanied by strings, and we were used to playing it with vibrato, because that sounds nice and warm. But Jesus is anguished and tormented. So, Harnoncourt said, you should hear dry sweeps on the strings. When we did, the sense of drama suddenly blossomed.
Honorary guest conductor
Until his death in 2016, Harnoncourt was a regular guest conductor and in 2000 he was given the title Honorary Guest Conductor by the Orchestra. His influence has been of crucial importance for the Concertgebouw Orchestra; with his interpretations he enriched the repertoire and the performance style of the Orchestra. In 2021, the orchestra awarded the title of Honorary Guest Conductor to Iván Fischer, who once started his career as an assistant to Harnoncourt and is viewed by many as his heir.
Colour wheel
A CD box as a tribute, commemorating his career, was inevitable after the loss of Nikolaus Harnoncourt. The compilers, former Orchestra cello Daniël Esser and producer Lodewijk Collette, listened to all radio recordings made of the Concertgebouw Orchestra with Harnoncourt. To make the final selection they used the following criteria: all selected works had to be “the most beautiful of the most beautiful” and provide a “colour wheel” representing everything that the orchestra and conductor have performed together.
The 15-CD box set really does provide a unique insight into a very special relationship. It complements and nuances the existing Harnoncourt discography, allowing us to hear conductor, orchestra and music in constantly new ways as the years pass. The fact these recordings are all live imbues the music with a precious spontaneity.
My absolute hero is and will always be Nikolaus Harnoncourt. He was actually not a real conductor and having everyone play the same tempo was absolutely not his ambition. He did have persuasive and clear ideas about articulation and sound, and the atmosphere during rehearsals was always very good, with a lot of respect for each and every musician. Mozart’s Da Ponte operas and Bruckner’s Fifth Symphony, the last concert we performed with him, are etched into my memory.
Blessing
The popularity Harnoncourt enjoyed as a conductor clearly shows in the responses of the soloists who collaborated on the recordings which are now included in the CD box set. Without exception, everyone agreed enthusiastically.
The plan for the rcreation of the box set received the unconditional blessing of his widow, violinist Alice Harnoncourt, very soon after the death of the conductor. It is very sad that she passed away before the 15-CD box set was released. This box set commemorates a celebrated and well loved couple in the music world.